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Nathan Ballingrud

Shirley Jackson Award–Winning Author

Nathan Ballingrud

Nathan Ballingrud, winner of the Shirley Jackson Award, is the author of The Strange, Wounds: Six Stories from the Border of Hell, and North American Lake Monsters, which was adapted into the Hulu series Monsterland. His latest book is the novella Crypt of the Moon Spider, the first part of The Lunar Gothic Trilogy. The second installment, Cathedral of the Drowned, will appear in October 2025. His work has been shortlisted for the World Fantasy, British Fantasy, Locus, and Bram Stoker awards. He lives in Asheville, NC.

Books

Featured Work

Cathedral of the Drowned

Cathedral of the Drowned

The Lunar Gothic Trilogy. A horror/sci-fi trilogy of novellas — Crypt of the Moon Spider (2024), Cathedral of the Drowned (2025), and Kingdom of the Conqueror Worm (2027) — blending cosmic horror, pulp adventure, and dark fantasy across a shared universe. The sequel to Crypt of the Moon Spider, Cathedral of the Drowned is an oozing, squirming, scuttling […]

Monsterland / North American Lake Monsters: Stories

Monsterland / North American Lake Monsters: Stories

Monsterland / North American Lake Monsters: Stories (2013). Winner of the Shirley Jackson Award, this collection blends Southern Gothic horror, fantasy, and literary fiction to examine the lives of working-class Southerners confronting monsters both literal and metaphorical. Known for its bleak realism and emotionally intense characters, the stories use supernatural elements to reflect human suffering, […]

The Strange

The Strange

The Strange (2023). A “space western” set on an alternate 1930s Mars, following a young woman seeking vengeance after her family is attacked, blending sci-fi, western, and horror elements in a dangerous frontier colony.

Wounds: Six Stories from the Border of Hell

Wounds: Six Stories from the Border of Hell

Wounds: Six Stories from the Border of Hell (2019). A horror/dark fantasy short story collection featuring six interconnected tales set against grim Southern and working-class landscapes, exploring the boundaries between the known world and Hell through supernatural horror and psychological dread. The collection includes “The Visible Filth,” later adapted into a film.

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